We've all seen the kind of music that hipsters and metal can produce, and the results often aren't good, for they lack depth and are filled with pretentious, self-serving musicians. Liturgy, for instance, is one of those, with each member labeling their music as art, for the betterment of black metal, heavy music, and "the scene." Well, that's what my recollection tells me, anyway, because it's been a few years since I've touched one of their awful records or heard an interview, but my point still stands.
So, with that in mind, I approached Sunbather cautiously. I mean, let's be honest; the cover art is downright ridiculous for a metal band. Stacked letters forming the title and a pink '50s vibe? Ha! Get real. The title itself is also silly, to the point that one might consider it a joke and dismiss the music just as I did. And, before I forget, Deafheaven as a band name? Seriously? That's perhaps the most comical thing about the whole mess.
|It's not all blind praise and blind hate--there are funnies as well.|
Perhaps that's what Deafheaven had in mind, though. Although not the same situation as above, being different attracts attention--some of it good, some of it bad--and extremes emerge from the woodwork supporting or opposing said music. Bruce Dickinson once sang in Iron Maiden's surprisingly average "Holy Smoke," "flies 'round shit, bees 'round honey." Going against the grain attracts people without fail, just as honey and shit both cause swarms of bees and flies to appear in a blink of an eye.
I've decided that, in this case, Sunbather is an astounding success for Deafheaven, regardless of how the core metal community views what is surely one of the most controversial records of the past few years. The hatred isn't unfounded, of course; in fact, there's much to dislike about the album. The vocals sound similar to a [bear with me as I use a generic, non-descriptive term] screamo/post-hardcore band, instead of the desperate screech or shriek typical of black metal. The guitars also dip deep into post-rock ala Explosions in the Sky and, many times, cease to feel metallic all together.
But that's just it--Sunbather isn't purely a metal record. Nor does it desire to be.
In recent years, black metal has rapidly expanded and evolved, but not without the help of the world's music palette. Much like any other fusion, musicians borrow from a vast array of genres and sub-genres--post-rock, various types of metal, and even bluegrass--and create something completely new from the mixture. And, often times, the end product is a total disaster, unlistenable and just plain dreck. Like anything else, the results are hit or miss.
|Deafheaven's constant members, Kerry McCoy/George Clarke.|
The question remains, however--is the music any good? ...to which I'll respond, "see how many words I typed? Use that to form your own opinion, jackass." In truth, the album is mixed. The interludes, despite Deafheaven's good intentions for breaking up the longer tracks, are filler and totally unnecessary. Devoid of a satisfying, crunchy center like in a Twix bar, they're entirely forgettable and more or less misuse of precious CD space.
|Image courtesy of http://boothaevens.wordpress.com/|
With that said, don't let me set an example for you. Don't follow in my footsteps and avoid an album because of a collective mindset floating around on the Internet. Despite what the popular opinion says, hipsters can make good music, and god forbid they take our sacred heavy metal and fuse it with decidedly "unsuitable" genres.
Yes, I like Sunbather. I'm proud of it, too, if you couldn't already tell.
* In the case of Deafheaven, I didn't follow my own advice.